COURSE STRUCTURE
The acting work of the 16 week Training is split into two main phases:
Acting phase one: (8 weeks) - Basic exercises leading to complex improvisation.
The course starts with a continuation of the basic repetition exercise experienced in the introduction week. This exercise is a simple device to get your attention off yourself and on to the other actor leaving you free to act moment by moment off the impulses that arise from the contact between you. You will be confronted by the things that ‘get in the way’ of your ability to honestly relate to yourself and others, bit by bit developing your ability to live each moment fully and truthfully without ever needing to think.
After the first few days you will be introduced to what Meisner referred to as ‘the reality of doing’ where you will develop your ability to live within a set of imaginary circumstances through the set up of practical activities and reasons to come and ‘get something’ form your partner based on at first simple, then gradually more complex relationships. As your faith in what you do builds, the depth to which you allow these imaginary circumstances to affect you behaviourally will gradually deepen.
This phase will be followed by one week's rest for all.
Acting phase two: (8 weeks) – Monologues through to scene work
The second phase of our actor training will introduce text for the first time in the form of solo work or monologues. You will be shown a simple, precise and non-intellectual way to analyse text. This will arm you with a fool proof way of approaching any text you may ever have to work with and will open you up to endless possibilities that can be experimented with through rehearsal. Your acting will not be left to chance and you will gain possession of a set of tools that will give you infinite flexibility and precision in your work.
Over the monologue weeks you will also be shown how to create the illusion of character to the audience by introducing external physical characteristics and impediments, such as playing someone of a different age to yourself.
The final 4 weeks of the training will take everything you have learned so far and apply it to playing a scene. This will include analysis of the text, improvisation, character work and finally the playing of the scene. By this stage you will have acquired a set of tools and a practical process that will allow you to get to the heart of a scene, working freely and openly moment by moment. Your teacher will begin to work with you more as a director as you start to take responsibility for your own work.
The culmination of this intense 16 week training will leave you with a real sense of faith in what you do, paving the way for you to continue broadening and deepening your experience as an actor.
Movement Work
Since one of the fundamental principles of Sanford Meisner’s acting philosophy centers around “jumping in” to any dramatic or emotional conflict rather than “backing away from it”, we felt that the best way to explore the craft of acting physically is through the study of an appropriate martial art or sport, that will expose the student to the area of ‘conflict’ in a physical situation.
We have found that the principles of Gracie Jiu Jitsu (GJJ) match almost identically to these principles of acting. As a result this is an excellent compliment to the acting our training.
Other benefits of this work are increased fitness and flexibility, the ability to defend yourselves, and most importantly, a feeling of empowerment, confidence and well-being.
To find out more, send us a message.
To book and for more information, please email or call Tanja at the studio on 020 3004 4537.